{"id":553,"date":"2016-05-25T13:06:17","date_gmt":"2016-05-25T13:06:17","guid":{"rendered":"http:\/\/www.computationalcreativity.net\/iccc2016\/?page_id=553"},"modified":"2016-05-26T11:04:43","modified_gmt":"2016-05-26T11:04:43","slug":"accepted-papers-3","status":"publish","type":"page","link":"https:\/\/www.computationalcreativity.net\/iccc2016\/accepted-papers-3\/","title":{"rendered":"Accepted papers"},"content":{"rendered":"
    \n
  1. Akin Kazakci, Mehdi Cherti and Balazs Kegl.\u00a0Digits that are not: Generating new types through deep neural nets<\/li>\n
  2. Alex Champandard.\u00a0Semantic Style Transfer and Turning Two-Bit Doodles into Fine Artworks<\/li>\n
  3. Andrew Brown.\u00a0Understanding Musical Practices as Agency Networks<\/li>\n
  4. Anna Jordanous.\u00a0Has computational creativity successfully made it `Beyond the Fence’ in musical theatre?<\/li>\n
  5. Anna Kantosalo and Hannu Toivonen.\u00a0Modes for Creative Human-Computer Collaboration: Alternating and Task-Divided Co-Creativity<\/li>\n
  6. Antoine Saillenfest,\u00a0Jean-Louis Dessalles\u00a0and\u00a0Olivier Auber.\u00a0Role of Simplicity in Creative Behaviour: The Case of the Poietic Generator<\/li>\n
  7. Arne Eigenfeldt, Oliver Bown, Andrew Brown and Toby Gifford.\u00a0Flexible Generation of Musical Form: Beyond Mere Generation<\/li>\n
  8. Carolyn Lamb, Daniel Brown and\u00a0Charles Clarke.\u00a0How digital poetry experts evaluate digital poetry<\/li>\n
  9. Celso Fran\u00e7a, Luis Fabricio Wanderley Goes, Alvaro Amorim, Rodrigo Rocha and Alysson Ribeiro Da Silva.\u00a0Regent-Dependent Creativity: A Domain Independent Metric for the Assessment of Creative Artifacts<\/li>\n
  10. Chris Martens\u00a0and\u00a0Rogelio E. Cardona-Rivera.\u00a0Discourse-driven Comic Generation<\/li>\n
  11. Christian Guckelsberger,\u00a0Christoph Salge,\u00a0Rob Saunders\u00a0and\u00a0Simon Colton.\u00a0Supportive and Antagonistic Behaviour in Distributed Computational Creativity via Coupled Empowerment Maximisation<\/li>\n
  12. Claudia Elena Chiri\u021b\u0103.\u00a0Free Jazz in the Land of Algebraic Improvisation<\/li>\n
  13. Dan Ventura.\u00a0Here There Be Creativty<\/li>\n
  14. Debarun Bhattacharjya.\u00a0Preference Models for Creative Artifacts and Systems<\/li>\n
  15. Dekai Wu.\u00a0How Blue Can You Get? Learning Structural Relationships for Microtones via Continuous Stochastic Transduction Grammars<\/li>\n
  16. Derrall Heath and\u00a0Dan Ventura.\u00a0Before A Computer Can Draw, It Must First Learn To See<\/li>\n
  17. Gabriella Barros, Antonios Liapis and\u00a0Julian Togelius.\u00a0Who Killed Justin Bieber? Murder Mystery Generation from Open Data<\/li>\n
  18. Georgios N. Yannakakis\u00a0and\u00a0Antonios Liapis.\u00a0Searching for Surprise<\/li>\n
  19. Graeme McCaig,\u00a0Steve Dipaola\u00a0and\u00a0Liane Gabora.\u00a0Deep Convolutional Networks as Models of Generalization and Blending within Visual Creativity<\/li>\n
  20. Hugo Gon\u00e7alo Oliveira and Ana Oliveira Alves.\u00a0Producing Poetry from Conceptual Maps — Yet Another Adaptation of PoeTryMe’s Flexible Architecture<\/li>\n
  21. Hugo Gon\u00e7alo Oliveira, Diogo Costa and Alexandre Miguel Pinto.\u00a0One does not simply produce funny memes! — Explorations on the Automatic Generation of Internet humor<\/li>\n
  22. Ignazio Infantino, Agnese Augello, Adriano Manfre’, Giovanni Pilato and\u00a0Filippo Vella.\u00a0ROBODANZA: Live Performances of a Creative Dancing Humanoid<\/li>\n
  23. Ivan Guerrero Roman\u00a0and\u00a0Rafael Perez Y Perez.\u00a0Knowledge structures of an automatic storyteller and their relevance for its generated stories<\/li>\n
  24. Jo\u00e3o Correia,\u00a0Tiago Martins,\u00a0Pedro Martins\u00a0and\u00a0Penousal Machado.\u00a0X-Faces: The eXploit Is Out There<\/li>\n
  25. Joel Lehman, Sebastian Risi and Jeff Clune.\u00a0Creative Generation of 3D Objects with Deep Learning and Innovation Engines<\/li>\n
  26. John Charnley,\u00a0Simon Colton,\u00a0Maria Teresa Llano Rodriguez\u00a0and\u00a0Joseph Corneli.\u00a0The FloWr Online Platform: Automated Programming and Computational Creativity as a Service<\/li>\n
  27. Jon McCormack and\u00a0Mark d’Inverno.\u00a0Designing Improvisational Interfaces<\/li>\n
  28. Joseph Corneli.\u00a0An institutional approach to computational social creativity<\/li>\n
  29. Kristin Carlson,\u00a0Philippe Pasquier,\u00a0Herbert H. Tsang, Jordon Phillips,\u00a0Thecla Schiphorst\u00a0and Tom Calvert.\u00a0CoChoreo: A Generative Feature in iDanceForms for Creating Novel Keyframe Animation for Choreography<\/li>\n
  30. Leonid Berov and Kai-Uwe K\u00fchnberger.\u00a0Visual Hallucination For Computational Creation<\/li>\n
  31. Luka Crnkovic-Friis\u00a0and\u00a0Louise Crnkovic-Friis.\u00a0Generative Choreography using Deep Learning<\/li>\n
  32. Maria Teresa Llano Rodriguez, Christian Guckelsberger, Rose Hepworth,\u00a0Jeremy Gow, Joseph Corneli and\u00a0Simon Colton.\u00a0What If A Fish Got Drunk? Exploring the Plausibility of Machine-Generated Fictions<\/li>\n
  33. Mark d’Inverno\u00a0and Arthur Still.\u00a0A History of Creativity for Future AI Research<\/li>\n
  34. Martin \u017dnidar\u0161i\u010d, Amilcar Cardoso, Pablo Gervas, Pedro Martins, Raquel Hervas, Ana Alves, Hugo Oliveira, Ping Xiao, Simo Linkola, Hannu Toivonen,\u00a0Janez Kranjc\u00a0and Nada Lavra\u010d.\u00a0Computational Creativity Infrastructure for Online Software Composition: A Conceptual Blending Use Case<\/li>\n
  35. Matthew Guzdial\u00a0and Mark Riedl.\u00a0Learning to Blend Computer Game Levels<\/li>\n
  36. Matthew Yee-King\u00a0and\u00a0Mark d’Inverno.\u00a0Experience Driven Design of Creative Systems<\/li>\n
  37. Maximos Kaliakatsos-Papakostas,\u00a0Roberto Confalonieri,\u00a0Joseph Corneli,\u00a0Asterios Zacharakis\u00a0and\u00a0Emilios Cambouropoulos.\u00a0An Argument-based Creative Assistant for Harmonic Blending<\/li>\n
  38. Oliver Bown and Liam Bray.\u00a0Applying Core Interaction Design Principles to Computational Creativity<\/li>\n
  39. Paloma Galv\u00e1n, Virginia Francisco, Raquel Herv\u00e1s, Gonzalo M\u00e9ndez and Pablo Gerv\u00e1s.\u00a0Exploring the Role of Word Associations in the Construction of Rhetorical Figures<\/li>\n
  40. Pedro Martins, Senja Pollak, Tanja Urbancic and Am\u00edlcar Cardoso.\u00a0Optimality Principles in Computational Approaches to Conceptual Blending: Do we need them (at) all?<\/li>\n
  41. Phil Lopes,\u00a0Antonios Liapis\u00a0and\u00a0Georgios N. Yannakakis.\u00a0Framing Tension for Game Generation<\/li>\n
  42. Philippe Pasquier,\u00a0Adam Burnett\u00a0and\u00a0James Maxwell.\u00a0Investigating Listener Bias Against Musical Metacreativity<\/li>\n
  43. Pietro Gravino, Bernardo Monechi, Vito D. P. Servedio, Francesca Tria and\u00a0Vittorio Loreto.\u00a0Crossing the horizon: exploring the adjacent possible in a cultural system<\/li>\n
  44. Ping Xiao, Khalid Alnajjar, Mark Granroth-Wilding, Kathleen Agres and Hannu Toivonen.\u00a0Meta4meaning: Automatic Metaphor Interpretation Using Corpus-Derived Word Associations<\/li>\n
  45. Roberto Confalonieri,\u00a0Enric Plaza\u00a0and\u00a0Marco Schorlemmer.\u00a0A Process Model for Concept Invention<\/li>\n
  46. Senja Pollak, Biljana Mileva Boshkoska, Dragana Miljkovic, Geraint Wiggins and Nada Lavrac.\u00a0Computational Creativity Conceptualisation Grounded on ICCC Papers<\/li>\n
  47. Shawn Bell and\u00a0Liane Gabora.\u00a0NetWorks: A Music Generation System Inspired by Complex Systems Theory<\/li>\n
  48. Simo Linkola, Tapio Takala and Hannu Toivonen.\u00a0Novelty-Seeking Multi-Agent Systems<\/li>\n
  49. Simon Colton.\u00a0The Beyond the Fence Musical and Computer Says Show Documentary<\/li>\n
  50. Steffan Ianigro and Oliver Bown.\u00a0Investigating the Musical Affordances of Continuous Time Recurrent Neural Networks<\/li>\n
  51. Taylor Brockhoeft, Jennifer Petuch, James Bach, Emil Djerekarov,\u00a0Margareta Ackerman\u00a0and\u00a0Gary Tyson.\u00a0Interactive Augmented Reality for Dance<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"

    Akin Kazakci, Mehdi Cherti and Balazs Kegl.\u00a0Digits that are not: Generating new types through deep neural nets Alex Champandard.\u00a0Semantic Style Transfer and Turning Two-Bit Doodles into Fine Artworks Andrew Brown.\u00a0Understanding Musical Practices as Agency Networks Anna Jordanous.\u00a0Has computational creativity successfully made it `Beyond the Fence’ in musical theatre? Anna Kantosalo and Hannu Toivonen.\u00a0Modes for Creative […]<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-553","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.computationalcreativity.net\/iccc2016\/wp-json\/wp\/v2\/pages\/553","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.computationalcreativity.net\/iccc2016\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.computationalcreativity.net\/iccc2016\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.computationalcreativity.net\/iccc2016\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.computationalcreativity.net\/iccc2016\/wp-json\/wp\/v2\/comments?post=553"}],"version-history":[{"count":4,"href":"https:\/\/www.computationalcreativity.net\/iccc2016\/wp-json\/wp\/v2\/pages\/553\/revisions"}],"predecessor-version":[{"id":566,"href":"https:\/\/www.computationalcreativity.net\/iccc2016\/wp-json\/wp\/v2\/pages\/553\/revisions\/566"}],"wp:attachment":[{"href":"https:\/\/www.computationalcreativity.net\/iccc2016\/wp-json\/wp\/v2\/media?parent=553"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}