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Monday June 27

• 8:00-17:00 – Registration
• 9:00-12:30 – MUME Workshop – CCGW Workshop – PROSECCO tutorial (Atrium Building)
• 14:00-17:30 – MUME Workshop – CCGW Workshop – E-R Model tutorial (Atrium Building)
  

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Tuesday June 28

• 8:00-17:00 – Registration
• 8:50-9:00 – Opening
• 9:00-10:20 – Session 1: Search (Esclangon Building) (Chair: Geraint Wiggins)
  • Mere Generation: Essential Barometer or Dated Concept? (Dan Ventura)
  • Searching for Surprise (Georgios N. Yannakakis and Antonios Liapis)
  • Supportive and Antagonistic Behaviour in Distributed Computational Creativity via Coupled Empowerment Maximisation (Christian Guckelsberger, Christoph Salge, Rob Saunders and Simon Colton)
• 10:20-10:45 – Coffee Break
• 10:45-12:05 – Session 2: Evaluation (Esclangon Building) (Chair: Hannu Toivonen)
  • Regent-Dependent Creativity: A Domain Independent Metric for the Assessment of Creative Artifacts (Celso França, Luis Fabricio Wanderley Goes, Alvaro Amorim, Rodrigo Rocha and Alysson Ribeiro Da Silva)
  • Investigating Listener Bias Against Musical Metacreativity (Philippe Pasquier, Adam Burnett and James Maxwell)
  • Prefence Models for Creative Artifacts and Systems (Debarun Bhattacharjya)
• 12:20-13:45 – Lunch (Restaurant L’ardoise)
• 14:00-15:20 – Session 3: Interaction (Chair: Oliver Bown)
  • Designing Improvisational Interfaces (Jon McCormack and Mark d’Inverno)
  • Applying Core Interaction Design Principles to Computational Creativity (Oliver Bown and Liam Bray)
  • Modes for Creative Human-Computer Collaboration Alternating and Task-Divided Co-Creativity (Anna Kantosalo and Hannu Toivonen)
• 15:20-15:45 – Coffee Break
• 15:45-17:05 – Session 4: Models of Creativity (Chair: Simon Colton)
  • Crossing the horizon exploring the adjacent possible in a cultural system (Pietro Gravino, Bernardo Monechi, Vito D. P. Servedio, Francesca Tria and Vittorio Loreto)
  • A History of Creativity for Future AI Research (Arthur Still and Mark d’Inverno)
  • Understanding Musical Practices as Agency Networks (Andrew Brown)
• 19:00 – Social Event: Cocktail at Hotel the Ville

Please note that due to an unexpected and exceptionally high turn-out for ICCC 2016, people registering on or after June 23, 2016 (i.e at onsite-rate) will not be provided with tickets for the welcome cocktail at the Paris Hotel de Ville on June 28, 2016, which has reached its capacity. Instead they will be put on a waiting list and their welcome cocktail ticket will be provided only in case of cancellations by other participants. Please be aware of this when registering anytime on or after June 23. We sincerely apologize for the inconvenience for this situation that is beyond our control.

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Wednesday June 29

• 8:30-17:00 – Registration
• 9:00-10:45 – Session 5: Visual Arts (Esclangon Building) (Chair: Michael Cook)
  • Before A Computer Can Draw, It Must First Learn To See (Derrall Heath and Dan Ventura)
  • Digits that are not: Generating new types through deep neural nets (Akin Kazakci, Mehdi Cherti and Balazs Kegl)
  • Creative Generation of 3D Objects with Deep Learning and Innovation Engines (Joel Lehman, Sebastian Risi and Jeff Clune)
  • X-Faces The eXploit Is Out There (João Correia, Tiago Martins, Pedro Martins and Penousal Machado)
• 10:45-11:10 – Coffee Break
• 11:10-12:10 – Keynote: Homo Creativus: A Psychological Perspective (Todd Lubart)
• 12:20-13:45 – Lunch (Restaurant L’ardoise)
• 14:00-15:20 – Session 6: Narratives (Chair: Dan Ventura)
  • What If A Fish Got Drunk? Exploring the Plausibility of Machine-Generated Fictions (Maria Teresa Llano Rodriguez, Christian Guckelsberger, Rose Hepworth, Jeremy Gow, Joseph Corneli and Simon Colton)
  • Murder Mystery Generation from Open Data (Gabriella Barros, Antonios Liapis and Julian Togelius)
  • Framing Tension for Game Generation (Phil Lopes, Antonios Liapis and Georgios N. Yannakakis)
• 15:20-15:45 – Coffee Break
• 15:45-16:40 – Session 7: Language (Chair: Pablo Gervás)
  • Analysis of the correlations between the knowledge structures of an automatic storyteller and its literary production (Ivan Guerrero Roman and Rafael Perez Y Perez)
  • Meta4meaning: Automatic Metaphor Interpretation Using Corpus-Derived Word Associations (Ping Xiao, Khalid Alnajjar, Mark Granroth-Wilding, Kathleen Agres and Hannu Toivonen)
• 16:50 – 17:20: Best Video Award and Best Paper Award
• 18:00-19:00 – ERCcOMICS Illustrated Talks (Amphi 25)
  • Composing a song with Flow Machines – François Pachet (ERC grant “Flow Machines“) and Fiammetta Ghedini
  • The Garden of Invisibility – Ulf Leonhardt (ERC grant “Transformation Optics“) and Thomas Gosselin
  • Modelling lianas as key drivers of tropical forest responses to climate change – Hans Verbeek (ERC grant “Treeclimbers“) and Giacomo Nanni
  • Co-Adaptive Instruments: Can we reinvent the graphical user interface? Wendy Mackay (ERC grant “Creating Co-Adaptive Human-Computer Partnership“) and Luigi Critone

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Thursday June 30

• 8:30-17:00 – Registration
• 9:00-10:20 – Session 8: Generating Structure (Esclangon Building) (Chair: Nada Lavrač)
  • Flexible Generation of Musical Form Beyond Mere Generation (Arne Eigenfeldt, Oliver Bown, Andrew Brown and Toby Gifford)
  • Investigating the Musical Affordances of Continuous Time Recurrent Neural Networks (Steffan Ianigro and Oliver Bown)
  • Generative Choreography using Deep Learning (Luka Crnkovic-Friis and Louise Crnkovic-Friis)
• 10:20-10:45 – Coffee Break
• 10:45-12:05 – Poster/demos flash presentations
• 12:20-13:45 – Lunch (Restaurant L’ardoise)
• 14:00-15:45 – Poster and demo session 
• POSTERS:
• Visual Hallucination For Computational Creation (Leonid Berov and Kai-Uwe Kühnberger)
• Producing Poetry from Conceptual Maps — Yet Another Adaptation of PoeTryMe’s Flexible Architecture (Hugo Gonçalo Oliveira and Ana Oliveira Alves)
• An institutional approach to computational social creativity (Joseph Corneli)
• Novelty-Seeking Multi-Agent Systems (Simo Linkola, Tapio Takala and Hannu Toivonen)
• One does not simply produce funny memes! — Explorations on the Automatic Generation of Internet humor (Hugo Gonçalo Oliveira, Diogo Costa and Alexandre Miguel Pinto)
• How digital poetry experts evaluate digital poetry (Carolyn Lamb, Daniel Brown and Charles Clarke)
• Computational Creativity Conceptualisation Grounded on ICCC Papers (Senja Pollak, Biljana Mileva Boshkoska, Dragana Miljkovic, Geraint Wiggins and Nada Lavrac)
• Deep Convolutional Networks as Models of Generalization and Blending Within Visual Creativity (Graeme McCaig, Steve Dipaola and Liane Gabora)
• Exploring the Role of Word Associations in the Construction of Rhetorical Figures (Paloma Galván, Virginia Francisco, Raquel Hervás, Gonzalo Méndez and Pablo Gervás)
• Free Jazz in the Land of Algebraic Improvisation (Claudia Elena Chiriță, José Luiz Fiadeiro)
• How Blue Can You Get? Learning Structural Relationships for Microtones via Continuous Stochastic Transduction Grammars (Dekai Wu)
• DEMOS:
• Experience Driven Design of Creative Systems (Matthew Yee-King and Mark d’Inverno)
• ROBODANZA: Live Performances of a Creative Dancing Humanoid (Ignazio Infantino, Agnese Augello, Adriano Manfre’, Giovanni Pilato and Filippo Vella)
• Interactive Augmented Reality for Dance (Taylor Brockhoeft, Jennifer Petuch, James Bach, Emil Djerekarov, Margareta Ackerman and Gary Tyson)
• Role of Simplicity in Creative Behaviour: The Case of the Poietic Generator (Antoine Saillenfest, Jean-Louis Dessalles and Olivier Auber)
• NetWorks: A Music Generation System Inspired by Complex Systems Theory (Shawn Bell and Liane Gabora)
• Cochoreo, a Generative Feature in idanceForms for Creating Novel Keyframe Animation for Choreography (Kristin Carlson, Philippe Pasquier, Herbert H. Tsang, Jordon Phillips, Thecla Schiphorst and Tom Calvert)